Domesticity 1.0 wins First Prize in IWDART

2014 Int Womens Day Art - Invitation20140305_114038_1


Domesticity 1.0 is a sound installation. The audio comprises a polyvocal arrangement of assertions of compliance by women in multiple languages, mixed with sounds of water and washing machines. The audio plays from a speaker under the drainage hole of an old 1950s Clark sink and cabinet, enticing the listener to seek out the source of the voices.

Domesticity 1.0 seeks to question the historically patriarchal idea of selfless domestic servitude. The physical component, a 1950s Clark sink, is an object of domesticity refurbished in a deep, almost menstrual red colour, pearled and gilded evoking both the suggestion of intimacy and hyper reality in order to exaggerate the conceptual ideal expected of women.  But what is the contemporary ideal? What is Domesticity 2.0? Has it changed and how much is perpetuated by the legacy of earlier concepts; that is Domesticity 1.0?

Domesticity 1.0, after being selected for entry in the competition, won first place in the International Women’s Day Art prize in Ryde 2014. Above is a picture of the installation.


Sidelines is a creative Non Fiction work about mental illness and public transport. It draws on the work of Henri Lefebrve and his notions of liminal and liminoid phenomena within the public realm in which we interact.


Vulture Capitalism and Profits of Doom wins 2nd Prize

This audio piece was created as part of an exhibition entitled “Profits of Doom” that I made with my partner, Alessandro Berini. The work invited people to reflect on the real price of high-end profit and loss, forcing them to experience a palpable sense of dis-ease that comes with such blatant depredation. It consisted of a box mounted just below head height with stereo speakers inside. The adjoining image is the interior view when you put your head inside. The work was about making the viewer/listener feel a sense of discomfort: the positioning of the entry; the vulnerability of placing your head inside the box along with the relentless nature of the audio work seeks to convey the feeling that the concept of vulture capitalism is likewise relentless, unfeeling and devoid of humanity. The desert scene inside the diorama depicts a bleak and distopic future landscape picked clean by these vultures of capitalism.
The audio lists the net value of the richest sixty companies in the world as well as the net value and profit(or loss) of a single day for the top 100 richest individuals in the world to the backdrop of by various drones, factory and machine noises: the legacy of the industrial revolution, free market capitalism and progress-at-all-costs. It is about the reduction of life to mechanised functions and numeric values engendered by vulturistic economic endeavours.

The work itself is constructed from secondhand and recycled materials, except for a low voltage LED light. Photo by Pierre Cavalan (thanks Pierre!)

profit and loss inside

It won second Prize! 🙂 YAY! xx

Love Bytes

This multichannel Radio work was created to be broadcast over two stations. It is a humble reflection on love based on Roland Barthes’Fragments d’un Discours Amoureux- a Lover’s Discourse and falls into three parts: Souvenir/remembrance, Mutisme/silence and Magie/magic the last leaf. Each side can be listened to independently and work together as a quadrophonic work.
The picture is an excerpt taken from a Thailandese artist, whose work I saw in a gallery in Bangkok a number of years ago. Unfortunately, I don’t have her name recorded!! If any one recognises it, I would love to know!

Love Bytes recently aired in Sweden as part of the DubbelRadio festival in conjunction with Konsthalle and mobile-radio.


Here is what they sound like together: Listen on a surround system for extra effect!

Emerge Outside

We filter sounds all the time. In fact probably right now you are unconsciously filtering background noise like, traffic or your car engine, perhaps a passing plane. Have you ever stopped to listen to sounds distinct to your own life? Artist Jacqui O’Reilly and Luke Killim have collaborated with an eclectic group of people, who are socially isolated, disadvantaged or live with disabilities from the Randwick community,  to explore this idea and develop it into a live soundscape and collaborative performance. This feature is a behind the scenes look at the project.


My mother told me

A creative non fiction piece about a girl’s memories of her sisters death as a young girl and her mother’s confessions years later.


Track “Lula” by the beautiful Stephen Vitiello

Painting By Amy Schrom

Bear Hunt

Going on a bear hunt,  going on a bear hunt, going to catch a big one! What a beautiful day…I’m not scared.

A little boy slips in and out of his imagination recreating the classic children’s rhyme.OLYMPUS DIGITAL CAMERA

One of my first Audio Post cards. Created for community radio station 2ser in Sydney.

Fighting Father Dave

father dave
An interview with Anglican minister David Smith who runs the Holy Trinity Youth Centre ‘fight club’ and is a professional boxer. Last year he broke the world record for the highest continuous rounds of boxing in one day (120 rounds, over 8hrs) to raise money for the centre. The 100-year old church building, where Father Dave is pictured and that held the boxing ring, was burnt down in 2013 in an arson attack. Dave remarked, “We always say that if you’re not getting shot at, you’re not on the front line.”